Friday, April 17, 2015

How Does a Book Actually Work?

William Randolph Hearst, yellow journalist.









Zach Neal




How does a book actually work, anyway?

Nobody really seems to know, or if they do, it’s a highly-technical process description not well suited to lay men and women.

The brain, or mind, has working memory. It is a kind of short-term memory.

When we read, we process that information. That processing is what brings the book to life and makes pictures and what passes for sound begin to appear in our head.

It seems to me that reading is a process of short term or working memory. What part of the brain it happens in is a secondary question. The thing is that short term memory is much more plastic than long term memory. It gets wiped regularly, using the mechanism of sleep. Once something has made it into long term memory, it's usually stuck there pretty good.

If you can remember a book, something like Winnie the Pooh, that’s from our youth most likely. I don’t recall a single line from the book, and yet I know that I have read it…

That’s long-term memory. I have stuff labeled Winnie the Pooh filed away in there somewhere.

Once something is in long-term memory, it’s never really lost to us, although we may not remember it ever again. It’s still in there.

I saw someone in the grocery store today. They have one distinctive feature. The lady, about forty years old, had long, lush, curling eyelashes. She has other features as well, and for whatever reason I was looking at her.

It struck me later that it might have been Alice—someone I hadn’t seen in over twenty years. 

We didn’t recognize each other, not at the time. Those other features (as I remembered them from the past) matched up, when I thought about it, with what she might look like twenty years later.

I’m one of those people who are pretty good with names and faces.

I really had to think about it. I had to dig for it—and it could have been her. What really struck me was that she was looking at me. Was she digging in her memory, trying to figure out who that guy was? Honestly, I doubt if she’s thought of me since that time in college. We were just somebody in class. It’s not like we ever spoke much, or got to know each other. The human brain is hard-wired to recognize faces. That goes back a million years in our programming. The ability to read came much later in evolution

Memory is reconstructive. Some little thing jogs our memory and a lot more stuff comes tumbling out.

When I read a book, it’s usually at night, before I go to bed. During the day, that book is the farthest thing from my mind.

Right now I’m reading Gore Vidal’s Empire. It happens in about 1899.

It’s just after the Spanish-American war. The only reason I can tell you that, is because I’ve been working on the book for a few days. When I pick it up again, it sort of all comes back to me, and there are reminders on every page, who the characters are, the time, the place, the circumstances. What’s happening, is that I am learning, rather than just reading. Much of learning does involve repetition. Reading can be for pleasure, and that kind of reading is shallower, more transient. It’s gone as fast as it came in. Stuff that you know, has entered the long-term memory. Ten years from now, if you ask me, I will be able to tell you that Empire is by Gore Vidal and that it’s about the period just after the Spanish-American War. Carolyn and her brother Blaise are at odds over her inheritance.

I don’t have to look at the book to tell you that—I’ve learned it and the odds are I will be able to recall some of that later. There are some interesting character studies in the book, including President McKinley, Teddy Roosevelt and William Randolph Hearst among others.

The thing to remember is that the reader forgets what they just read as they move along in the story.

Whatever is happening on the page they are reading, that is ‘the moment’ for the reader. It takes on a reality of its own, settles into our memories and becomes a kind of shared experience. That’s because someone had to write it and plenty of other people have read it. 

Some books are not intellectual heavyweights. They are meant to be consumed as fluff, as entertainment. In a genre that is more than usually formulaic, for example romance, people aren’t looking to have their world questioned, or any great revelation. What they want is escape. They want to be entertained in a way that is not particularly challenging.

The easiest thing to remember is the story. There was a book I read as a kid. I will never find that book again, because I have forgotten the title, forgotten the author, forgotten the name of the main character.

Yet I can still tell you that it was about a boy, and his cousin. They had a series of adventures at the time of the siege of Fort Beausejour. It was the time of the removal of the Acadians. The boy had a sailing dory and they had named it Ann. The cousin’s name was Pierre. Since the boy was the viewpoint character, his name was probably not mentioned very often, if at all. Otherwise I probably would have remembered it.

His father was a Captain Harvey (I think) of the 40th Foot.

The average reader, immersed in the story, perhaps halfway through the book, might completely forget a character introduced earlier on until they reappear. For someone who reads a book in one sitting, that character pops out and they say, ‘oh, there he is again.’ Yet they are just as likely to forget him as soon as he’s gone again. Reading an entire book at one sitting uses short-term memory exclusively. What’s interesting is when you’re reading an old book. Agatha Christie is a good example. Publishers over the years have re-titled and re-branded those books so many times. You get to a certain part of the story and you realize you’ve read it before.

And yet you can’t quite remember what happens, you can’t remember how it turns out.

The opposite kind of reading is where people are forced to read books over and over again in order to memorize and recite them. It’s obviously a different skill from reading for pleasure, or even the more normal forms of reading for instruction. When I want to learn a new thing, it’s like I have to read it fifteen times sometimes, and then keep it beside me while I attempt any new trick or skill. It is only when I can do it without the book beside me, that I can truly say I have learned it.





END 

Saturday, April 4, 2015

The Process of Building R/C Aircraft

Fleet Finch, a WW II trainer aircraft.







Zach Neal





The ability to focus on a project is a wonderful thing. When I built a 56” wingspan Fleet Finch for radio control, it was sheer luxury to be able to pin a wing or a stabilizer down to a board and just leave it. I owned a small house. I did not have a dog, a wife or any kids. If I left something on the workbench, it would be there a few days later when I went back to work on the model.

When building from plans for the very first time, the best thing is to read the instructions and study the plans. It probably is better to begin with Step One in the instructions. However, with a little experience, a builder might build small components quickly, without a lot of reference to the manual. 

It’s easy enough to build the stabilizer, the vertical fin, the elevator and rudder components and just set them aside.

Wings are often built in halves and a biplane has an upper and lower wing. Before fitting the bottom wing, it’s necessary to have the fuselage in some advanced stage of framework completion. Yet the motor mount and cowling don’t necessarily have to be complete to dry-fit the fuselage to the bottom wing.

The top wing can be mounted and properly fitted to the fuselage struts in parasol fashion, the N struts on the outer wings can be built and fitted carefully later.

The wings and fuselage can be covered later, when the builder is sure everything is installed correctly, everything works, and nothing has been forgotten.

In short, it’s a process. It’s a process that benefits from some experience.

When it’s time to make the engine mount, the front bulkhead is drilled. You need holes in the proper place for mounting bolts, a control cable or pushrod, holes for fuel delivery and the pressure/vent nipple hook-up. A smart builder would have all that ready before beginning assembly of the basic fuselage framework.

At about the hallway point, all of the framework, the landing gear, flying surfaces, control systems, fuel tank, everything can be fitted, bolted and slipped together. The aircraft is a fully-assembled skeleton sitting on the workbench. The builder can turn on the radio switch, plug in the battery and test all systems. If it’s electric, you can run the motor because you don’t have to worry about castor oil getting all over it. Even then there can still be hundreds of hours of labour before the flying model is completed. The Finch had been designed for an electric motor and gearbox with eighteen cells. 

Never mind that everything shown was ten or fifteen years out of date and every aspect of electric flight had changed. I wanted to run it on hot fuel, alcohol, castor-oil and nitromethane. I didn’t have any big problems modifying the kit and the parts available or making my own. It merely took time, visualization of a required part, some drawing ability, and a few tools. Over the course of seventeen years, I built many kits, bought a couple of used planes and designed about four dozen of my own. 

The last plane I designed was a million times better than the first one. The funny thing was the first one actually flew pretty well.

My old man wanted to get into radio control, but he didn’t know anything about the hook-ups—the radio system, the servos and pushrods. Someone suggested he get a kit or two and build them. Join the club and learn how to fly them. After a couple of R/C kits the old bugger was back to designing his own planes. He liked the idea of electric flight and the kits of the day were all shit, no ailerons, no power, basically clunky stuff designed by enthusiastic amateurs. My old man’s woodwork and covering were as good as anyone’s and better than ninety percent of the club fliers, admittedly kit-builders and sport-flyers, around here.

My old man taught me a lot. I watched that man, and after building hundreds of rubber band models, he really was a craftsman in the sense of miniature carpentry, with knife, sanding block, small saws, grinders, files and drills.

Virtually all of the skills required to build a flying radio control model are relevant, in fact highly-useful in building and flying a full-sized aircraft. It’s just a lot more expensive. The stakes are higher and the price of a mistake goes up drastically. But basically it is the exact same set of skills.

One of those skills is the ability to focus, to look ahead a few steps and see what is required. One of the skills is analysis. The ability to look at he plans and to realize that they can’t possibly tell you every little thing that you need to know.

A certain level of skill is presumed with every kit bought and sold. If a radio-control model aircraft kit is intended for beginners, it will be advertised as such.

My Fleet Finch was a scale model, the kit was intended for experts. My skills were such that it was well-built and well-engineered. The designer of the kit, made some serious errors and I would have done quite a few things differently. The design was idiosyncratic, and drew heavily on some techniques that the designer clearly didn’t invent. He was unduly influenced.

My heat-shrink Mylar covering job was very good without being professional—nine year old kids in China do a fantastic job of covering some of the new park flyers for example.

As far as professional scale competition, my plane would have been the most amateurish thing there. 

That really wasn’t my focus with that particular airplane.

All I really wanted, (and I bought that kit for $60.00 at a buddy’s fire sale, from a guy called Ray Duzek), was a big and colourful biplane to fly. It had adequate power with an O.S. 40 FP and it was fully aerobatic.

It flew just like the real thing, which is to say it took a light touch, and coordinating rudder with ailerons, elevator, throttle, etc. It took a year and a half to build that plane.

Even my old man was impressed.

I don’t know if I’ll ever get back into flying or not.

It’s a question of time, money and commitment.

I still have a Fokker D-VII and all the equipment to fly it.

I think it’s a question of wanting it badly enough.

Maybe I just don’t have time for it anymore.


End

Wednesday, March 18, 2015

The Luck of Roaring Camp, by Bret Harte.




















by Bret Harte





There was commotion in Roaring Camp. It could not have been a fight, for in 1850 that was not novel enough to have called together the entire settlement. The ditches and claims were not only deserted, but Tuttle’s Grocery had contributed its gamblers, who, it will be remembered, calmly continued their game the day that French Pete and Kanaka Joe shot each other to death over the bar in the front room. The whole camp was collected before a rude cabin on the outer edge of the clearing. Conversation was carried on in a low tone, but the name of a woman was frequently repeated. It was a name familiar enough in the camp,—Cherokee Sal.

Perhaps the less said of her the better. She was a coarse, and it is to be feared, a very sinful woman. But at that time she was the only woman in Roaring Camp, and was just then lying in sore extremity, when she most needed the ministration of her own sex. Dissolute, abandoned, and irreclaimable, she was yet suffering a martyrdom hard enough to bear even when veiled by sympathizing womanhood, but now terrible in her loneliness. The primal curse had come to her in that original isolation which must have made the punishment of the first transgression so dreadful. It was, perhaps, part of the expiation of her sin that, at a moment when she most lacked her sex’s intuitive tenderness and care, she met only the half-contemptuous faces of her masculine associates. Yet a few of the spectators were, I think, touched by her sufferings. Sandy Tipton thought it was “rough on Sal,” and, in the contemplation of her condition, for a moment rose superior to the fact that he had an ace and two bowers in his sleeve.

It will be seen also that the situation was novel. Deaths were by no means uncommon in Roaring Camp, but a birth was a new thing. People had been dismissed the camp effectively, finally, and with no possibility of return; but this was the first time that anybody had been introduced ab initio. Hence the excitement.

“You go in there, Stumpy,” said a prominent citizen known as ‘Kentuck,’ addressing one of the loungers. “Go in there, and see what you kin do.
You’ve had experience in them things.”

Perhaps there was a fitness in the selection. Stumpy, in other climes, had been the putative head of two families; in fact, it was owing to some legal informality in these proceedings that Roaring Camp—a city of refuge—was indebted to his company. The crowd approved the choice, and Stumpy was wise enough to bow to the majority. The door closed on the extempore surgeon and midwife, and Roaring Camp sat down outside, smoked its pipe, and awaited the issue.

The assemblage numbered about a hundred men. One or two of these were actual fugitives from justice, some were criminal, and all were reckless. Physically they exhibited no indication of their past lives and character. The greatest scamp had a Raphael face, with a profusion of blonde hair; Oakhurst, a gambler, had the melancholy air and intellectual abstraction of a Hamlet; the coolest and most courageous man was scarcely over five feet in height, with a soft voice and an embarrassed, timid manner. The term roughs applied to them was a distinction rather than a definition. Perhaps in the minor details of fingers, toes, ears, etc., the camp may have been deficient, but these slight omissions did not detract from their aggregate force. The strongest man had but three fingers on his right hand; the best shot had but one eye.

Such was the physical aspect of the men that were dispersed around the cabin. The camp lay in a triangular valley between two hills and a river. The only outlet was a steep trail over the summit of a hill that faced the cabin, now illuminated by the rising moon. The suffering woman might have seen it from the rude bunk whereon she lay,—seen it winding like a silver thread until it was lost in the stars above.

A fire of withered pine boughs added sociability to the gathering. By degrees the natural levity of Roaring Camp returned. Bets were freely offered and taken regarding the result. Three to five that “Sal would get through with it;” even that the child would survive; side bets as to the sex and complexion of the coming stranger. In the midst of an excited discussion an exclamation came from those nearest the door, and the camp stopped to listen. Above the swaying and moaning of the pines, the swift rush of the river, and the crackling of the fire rose a sharp, querulous cry,—a cry unlike anything heard before in the camp. The pines stopped moaning, the river ceased to rush, and the fire to crackle. It seemed as if Nature had stopped to listen too.

The camp rose to its feet as one man! It was proposed to explode a barrel of gunpowder; but in consideration of the situation of the mother, better counsels prevailed, and only a few revolvers were discharged; for whether owing to the rude surgery of the camp, or some other reason, Cherokee Sal was sinking fast. Within an hour she had climbed, as it were, that rugged road that led to the stars, and so passed out of Roaring Camp, its sin and shame, forever. I do not think that the announcement disturbed them much, except in speculation as to the fate of the child. “Can he live now?” was asked of Stumpy. The answer was doubtful. The only other being of Cherokee Sal’s sex and maternal condition in the settlement was an ass. There was some conjecture as to fitness, but the experiment was tried. It was less problematical than the ancient treatment of Romulus and Remus, and apparently as successful.

When these details were completed, which exhausted another hour, the door was opened, and the anxious crowd of men, who had already formed themselves into a queue, entered in single file. Beside the low bunk or shelf, on which the figure of the mother was starkly outlined below the blankets, stood a pine table. On this a candle-box was placed, and within it, swathed in staring red flannel, lay the last arrival at Roaring Camp. Beside the candle-box was placed a hat. Its use was soon indicated. “Gentlemen,” said Stumpy, with a singular mixture of authority and ex officio complacency,— “gentlemen will please pass in at the front door, round the table, and out at the back door. Them as wishes to contribute anything toward the orphan will find a hat handy.”

The first man entered with his hat on; he uncovered, however, as he looked about him, and so unconsciously set an example to the next. In such communities good and bad actions are catching. As the procession filed in comments were audible,—criticisms addressed perhaps rather to Stumpy in the character of showman; “Is that him?” “Mighty small specimen;” “Has n’t more ‘n got the color;” “Ain’t bigger nor a derringer.” The contributions were as characteristic: A silver tobacco box; a doubloon; a navy revolver, silver mounted; a gold specimen; a very beautifully embroidered lady’s handkerchief (from Oakhurst the gambler); a diamond breastpin; a diamond ring (suggested by the pin, with the remark from the giver that he “saw that pin and went two
diamonds better”); a slung-shot; a Bible (contributor not detected); a golden spur; a silver teaspoon (the initials, I regret to say, were not the giver’s); a pair of surgeon’s shears; a lancet; a Bank of England note for 5 pounds; and about $200 in loose gold and silver coin. During these proceedings Stumpy maintained a silence as impassive as the dead on his left, a gravity as inscrutable as that of the newly born on his right. Only one incident occurred to break the monotony of the curious procession. As Kentuck bent over the candle-box half curiously, the child turned, and, in a spasm of pain, caught at his groping finger, and held it fast for a moment. Kentuck looked foolish and embarrassed.

Something like a blush tried to assert itself in his weather-beaten cheek. “The damned little cuss!” he said, as he extricated his finger, with perhaps more tenderness and care than he might have been deemed capable of showing. He held that finger a little apart from its fellows as he went out, and examined it curiously. The examination provoked the same original remark in regard to the child. In fact, he seemed to enjoy repeating it. “He wrassled with my finger,” he remarked to Tipton, holding up the member, “the damned little cuss!”

It was four o’clock before the camp sought repose. A light burnt in the cabin where the watchers sat, for Stumpy did not go to bed that night. 

Nor did Kentuck. He drank quite freely, and related with great gusto his experience, invariably ending with his characteristic condemnation of the newcomer. It seemed to relieve him of any unjust implication of sentiment, and Kentuck had the weaknesses of the nobler sex. When everybody else had gone to bed, he walked down to the river and whistled reflectingly. Then he walked up the gulch past the cabin, still whistling with demonstrative unconcern. At a large redwood-tree he paused and retraced his steps, and again passed the cabin. Halfway down to the river’s bank he again paused, and then returned and knocked at the door. It was opened by Stumpy. “How goes it?” said Kentuck, looking past Stumpy toward the candle-box. “All serene!” replied Stumpy.

“Anything up?” “Nothing.” There was a pause—an embarrassing one—Stumpy still holding the door. Then Kentuck had recourse to his finger, which he held up to Stumpy. “Wrassled with it,—the damned little cuss,” he said, and retired.

The next day Cherokee Sal had such rude sepulchre as Roaring Camp afforded. After her body had been committed to the hillside, there was a formal meeting of the camp to discuss what should be done with her infant. A resolution to adopt it was unanimous and enthusiastic. But an animated discussion in regard to the manner and feasibility of providing for its wants at once sprang up. It was remarkable that the argument partook of none of those fierce personalities with which discussions were usually conducted at Roaring Camp. Tipton proposed that they should send the child to Red Dog,—a distance of forty miles,—where female attention could be procured. But the unlucky suggestion met with fierce and unanimous opposition. It was evident that no plan which entailed parting from their new acquisition would for a moment be entertained.

“Besides,” said Tom Ryder, “them fellows at Red Dog would swap it, and ring in somebody else on us.” A disbelief in the honesty of other camps prevailed at Roaring Camp, as in other places.

The introduction of a female nurse in the camp also met with objection.

It was argued that no decent woman could be prevailed to accept Roaring Camp as her home, and the speaker urged that “they didn’t want any more of the other kind.” This unkind allusion to the defunct mother, harsh as it may seem, was the first spasm of propriety,—the first symptom of the camp’s regeneration. Stumpy advanced nothing. Perhaps he felt a certain delicacy in interfering with the selection of a possible successor in office. But when questioned, he averred stoutly that he and “Jinny”—the mammal before alluded to—could manage to rear the child. There was something original, independent, and heroic about the plan that pleased the camp. Stumpy was retained. Certain articles were sent for to Sacramento. “Mind,” said the treasurer, as he pressed a bag of gold-dust into the expressman’s hand, “the best that can be got,—lace, you know, and filigree-work and frills,—damn the cost!”

Strange to say, the child thrived. Perhaps the invigorating climate of the mountain camp was compensation for material deficiencies. Nature took the foundling to her broader breast. In that rare atmosphere of the Sierra foothills,—that air pungent with balsamic odor, that ethereal cordial at once bracing and exhilarating,—he may have found food and nourishment, or a subtle chemistry that transmuted ass’s milk to lime and phosphorus. Stumpy inclined to the belief that it was the latter and good nursing. “Me and that ass,” he would say, “has been father and mother to him! Don’t you,” he would add, apostrophizing the helpless bundle before him, “never go back on us.”

By the time he was a month old the necessity of giving him a name became apparent. He had generally been known as “The Kid,” “Stumpy’s Boy,” “The Coyote” (an allusion to his vocal powers), and even by Kentuck’s endearing diminutive of “The damned little cuss.” But these were felt to be vague and unsatisfactory, and were at last dismissed under another influence. Gamblers and adventurers are generally superstitious, and Oakhurst one day declared that the baby had brought ‘the luck’ to Roaring Camp. It was certain that of late they had been successful.

“Luck” was the name agreed upon, with the prefix of Tommy for greater convenience. No allusion was made to the mother, and the father was unknown.

“It’s better,” said the philosophical Oakhurst, “to take a fresh deal all round. Call him Luck, and start him fair.” A day was accordingly set apart for the christening. What was meant by this ceremony the reader may imagine who has already gathered some idea of the reckless irreverence of Roaring Camp. The master of ceremonies was one “Boston,” a noted wag, and the occasion seemed to promise the greatest facetiousness. This ingenious satirist had spent two days in preparing a burlesque of the Church service, with pointed local allusions. The choir was properly trained, and Sandy Tipton was to stand godfather. But after the procession had marched to the grove with music and banners, and the child had been deposited before a mock altar, Stumpy stepped before the expectant crowd. “It ain’t my style to spoil fun, boys,” said the little man, stoutly eyeing the faces around him, “but it strikes me that this thing ain’t exactly on the square. It’s playing it pretty low down on this yer baby to ring in fun on him that he ain’t goin’ to understand. And ef there’s goin’ to be any godfathers round, I’d like to see who’s got any better rights than me.”

A silence followed Stumpy’s speech. To the credit of all humorists be it said that the first man to acknowledge its justice was the satirist thus stopped of his fun. “But,” said Stumpy, quickly following up his advantage, “we’re here for a christening, and we’ll have it. I proclaim you Thomas Luck, according to the laws of the United States and the State of California, so help me God.” It was the first time that the name of the Deity had been otherwise uttered than profanely in the camp. The form of christening was perhaps even more ludicrous than the satirist had conceived; but strangely enough, nobody saw it and nobody laughed.

“Tommy” was christened as seriously as he would have been under a Christian roof and cried and was comforted in as orthodox fashion.
Frederic Remington.

And so the work of regeneration began in Roaring Camp. Almost imperceptibly a change came over the settlement. The cabin assigned to “Tommy Luck”—or “The Luck,” as he was more frequently called—first showed signs of improvement. It was kept scrupulously clean and whitewashed. Then it was boarded, clothed, and papered. The rose wood cradle, packed eighty miles by mule, had, in Stumpy’s way of putting it, “sorter killed the rest of the furniture.” So the rehabilitation of the cabin became a necessity. The men who were in the habit of lounging in at Stumpy’s to see “how ‘The Luck’ got on” seemed to appreciate the change, and in self defense the rival establishment of “Tuttle’s grocery” bestirred itself and imported a carpet and mirrors. The reflections of the latter on the appearance of Roaring Camp tended to produce stricter habits of personal cleanliness. Again Stumpy imposed a kind of quarantine upon those who aspired to the honor and privilege of holding The Luck. It was a cruel mortification to Kentuck—who, in the carelessness of a large nature and the habits of frontier life, had begun to regard all garments as a second cuticle, which, like a snake’s, only sloughed off through decay—to be debarred this privilege from certain prudential reasons. Yet such was the subtle influence of innovation that he thereafter appeared regularly every afternoon in a clean shirt and face still shining from his ablutions. Nor were moral and social sanitary laws neglected. “Tommy,” who was supposed to spend his whole existence in a persistent attempt to repose, must not be disturbed by noise. The shouting and yelling, which had gained the camp its infelicitous title, were not permitted within hearing distance of Stumpy’s. The men conversed in whispers or smoked with Indian gravity.
Profanity was tacitly given up in these sacred precincts, and throughout the camp a popular form of expletive, known as “D—n the luck!” and “Curse the luck!” was abandoned, as having a new personal bearing.

Vocal music was not interdicted, being supposed to have a soothing, tranquilizing quality; and one song, sung by “Man-o’-War Jack,” an English sailor from her Majesty’s Australian colonies, was quite popular as a lullaby. It was a lugubrious recital of the exploits of “the Arethusa, Seventy-four,” in a muffled minor, ending with a prolonged dying fall at the burden of each verse, “On b-oo-o-ard of the Arethusa.”

It was a fine sight to see Jack holding The Luck, rocking from side to side as if with the motion of a ship, and crooning forth this naval ditty. Either through the peculiar rocking of Jack or the length of his song,—it contained ninety stanzas, and was continued with conscientious deliberation to the bitter end,—the lullaby generally had the desired effect. At such times the men would lie at full length under the trees in the soft summer twilight, smoking their pipes and drinking in the melodious utterances. An indistinct idea that this was pastoral happiness pervaded the camp. “This ‘ere kind o’ think,” said the Cockney Simmons, meditatively reclining on his elbow, “is ‘eavenly.” It reminded him of Greenwich.

On the long summer days The Luck was usually carried to the gulch from whence the golden store of Roaring Camp was taken. There, on a blanket spread over pine boughs, he would lie while the men were working in the ditches below. Latterly there was a rude attempt to decorate this bower with flowers and sweet-smelling shrubs, and generally someone would bring him a cluster of wild honeysuckles, azaleas, or the painted blossoms of Las Mariposas. The men had suddenly awakened to the fact that there were beauty and significance in these trifles, which they had so long trodden carelessly beneath their feet. A flake of glittering mica, a fragment of variegated quartz, a bright pebble from the bed of the creek, became beautiful to eyes thus cleared and strengthened, and were invariably pat aside for The Luck. It was wonderful how many treasures the woods and hillsides yielded that “would do for Tommy.”

Surrounded by playthings such as never child out of fairyland had before, it is to be hoped that Tommy was content. He appeared to be serenely happy, albeit there was an infantine gravity about him, a contemplative light in his round gray eyes, that sometimes worried Stumpy. He was always tractable and quiet, and it is recorded that once, having crept beyond his “corral,”—a hedge of tessellated pine boughs, which surrounded his bed,—he dropped over the bank on his head in the soft earth, and remained with his mottled legs in the air in that position for at least five minutes with unflinching gravity. He was extricated without a murmur. I hesitate to record the many other instances of his sagacity, which rest, unfortunately, upon the statements of prejudiced friends. Some of them were not without a tinge of superstition. “I crep’ up the bank just now,” said Kentuck one day, in a breathless state of excitement “and dern my skin if he was a-talking to a jay bird as was a-sittin’ on his lap. There they was, just as free and sociable as anything you please, a-jawin’ at each other just like two cherrybums.” Howbeit, whether creeping over the pine boughs or lying lazily on his back blinking at the leaves above him, to him the birds sang, the squirrels chattered, and the flowers bloomed. 

Arthur T. Lee.
Nature was his nurse and playfellow. For him she would let slip between the leaves golden shafts of sunlight that fell just within his grasp; she would send wandering breezes to visit him with the balm of bay and resinous gum; to him the tall redwoods nodded familiarly and sleepily, the bumblebees buzzed, and the rooks cawed a slumbrous accompaniment.

Such was the golden summer of Roaring Camp. They were “flush times,” and the luck was with them. The claims had yielded enormously. The camp was jealous of its privileges and looked suspiciously on strangers. No encouragement was given to immigration, and, to make their seclusion more perfect, the land on either side of the mountain wall that surrounded the camp they duly pre-empted. This, and a reputation for singular proficiency with the revolver, kept the reserve of Roaring Camp inviolate. The expressman—their only connecting link with the surrounding world—sometimes told wonderful stories of the camp. He would say, “They’ve a street up there in ‘Roaring’ that would lay over any street in Red Dog. They’ve got vines and flowers round their houses, and they wash themselves twice a day. But they’re mighty rough on strangers, and they worship an Injun baby.”

With the prosperity of the camp came a desire for further improvement.
It was proposed to build a hotel in the following spring, and to invite one or two decent families to reside there for the sake of The Luck, who might perhaps profit by female companionship. The sacrifice that this concession to the sex cost these men, who were fiercely skeptical in regard to its general virtue and usefulness, can only be accounted for by their affection for Tommy. A few still held out. But the resolve could not be carried into effect for three months, and the minority meekly yielded in the hope that something might turn up to prevent it.

And it did.

The winter of 1851 will long be remembered in the foothills. The snow lay deep on the Sierras, and every mountain creek became a river, and every river a lake. Each gorge and gulch was transformed into a tumultuous watercourse that descended the hillsides, tearing down giant trees and scattering its drift and debris along the plain. Red Dog had been twice under water, and Roaring Camp had been forewarned. “Water put the gold into them gulches,” said Stumpy. “It been here once and will be here again!” And that night the North Fork suddenly leaped over its banks and swept up the triangular valley of Roaring Camp.

In the confusion of rushing water, crashing trees, and crackling timber, and the darkness which seemed to flow with the water and blot out the fair valley, but little could be done to collect the scattered camp.

When the morning broke, the cabin of Stumpy, nearest the river-bank, was gone. Higher up the gulch they found the body of its unlucky owner; but the pride, the hope, the joy, The Luck, of Roaring Camp had disappeared.

They were returning with sad hearts when a shout from the bank recalled them.

It was a relief-boat from down the river. They had picked up, they said, a man and an infant, nearly exhausted, about two miles below. Did anybody know them, and did they belong here?

It needed but a glance to show them Kentuck lying there, cruelly crushed and bruised, but still holding The Luck of Roaring Camp in his arms. As they bent over the strangely assorted pair, they saw that the child was cold and pulseless. “He is dead,” said one. Kentuck opened his eyes.

“Dead?” he repeated feebly. “Yes, my man, and you are dying too.”

A smile lit the eyes of the expiring Kentuck.

“Dying!” he repeated; “he’s a-taking me with him. Tell the boys I’ve got The Luck with me now;” and the strong man, clinging to the frail babe as a drowning man is said to cling to a straw, drifted away into the shadowy river that flows forever to the unknown sea.



END